
Frank Cho, born Duk Hyun Cho in 1971 in Seoul, South Korea, is a renowned Korean-American comic strip and comic book writer and illustrator.
Leggi tutto: Tribute to Frank Cho | Most iconic sensual artworks and sexy comicsHis family immigrated to the United States when he was six years old, settling in Beltsville, Maryland, where he experienced a “rough” childhood and found solace in copying comic book art. Despite his early passion for illustration, he earned a Bachelor of Science in Nursing from the University of Maryland in 1996 to please his parents. However, his career path shifted toward sequential art through his student strips, Everything but the Kitchen Sink and University 2, which laid the groundwork for his future professional success.

Cho first gained national recognition with his award-winning syndicated strip Liberty Meadows, which ran in newspapers from 1997 to 2001. The strip was notable for mixing Walt Kelly-style anthropomorphic animals with high-quality pin-up art, though Cho eventually pulled it from syndication due to exhaustion and constant battles with censors over “sexy” character designs and humor. His mainstream career flourished at Marvel Comics, where he worked on major titles such as Mighty Avengers, Hulk, and Savage Wolverine. Beyond work-for-hire, Cho has pursued various creator-owned projects, including the urban fantasy World of Payne and the adventure series Skybourne.


Cho is widely celebrated for his precise line work and his commitment to the “classical ideal of female anatomy”. His style is deeply rooted in early 20th-century American illustration, citing Charles Dana Gibson—creator of the “Gibson Girl”—as a primary influence for his female proportions and “larger-than-life nobility”. While many contemporary superhero artists use “boneless hyperextensions,” Cho prides himself on informed, subtle exaggerations that remain within the realm of the “reasonably believable”.

Technically, he is a pioneer of ballpoint pen art, a method he “accidentally stumbled upon” in high school. Using humble BIC pens and meticulous crosshatching, he builds up tonal values to create drawings that resemble Renaissance-era silverpoint. His instructional book, Drawing Beautiful Women: The Frank Cho Method, serves as a “making-of” guide that details his process from basic anatomy to complex inking.
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Frank Cho’s sexy art
Frank Cho has often been a polarizing figure due to his overtly sensual and well-endowed depictions of women.





He identifies as a lifelong liberal and a fierce advocate for free speech, frequently clashing with editors and critics. His tenure on DC’s Wonder Woman variant covers famously ended after only six issues when he walked off the project, citing “censorship” by writer Greg Rucka. Rucka reportedly objected to Cho’s art as “vulgar” and requested alterations to cover up more skin, which Cho dismissed as a “hostile power trip”.

Cho has frequently defended his right to draw “pretty women,” characterizing his critics as a small group of “angry and humorless people”. He often echoes the sentiment of underground artist Robert Crumb: “It’s only lines on paper, folks!“. Despite the controversies, Cho notes that such public “explosions” typically result in tripled website traffic and an increase in job offers.
Frank Cho’s nude art














Frank Cho’s most iconic sexy comics
Liberty Meadows
The lead characters, Brandy and Jen, were drawn in a style significantly sexier than most newspaper comics. Brandy was famously modeled after Lynda Carter’s Wonder Woman, while Jen often appeared in skimpy outfits that pushed the boundaries of the comics page.




Mighty Avengers





New Ultimates





Shanna the She-Devil
Cho revamped this character for Marvel as an Amazonian experiment who could kill dinosaurs with her bare hands. The series was originally intended to feature uncensored nudity, though Cho was eventually forced to censor the pages for the initial print run.


























Jungle Girl
This series features Jana, a “female Tarzan” born into a lost world of dinosaurs. The book is a primary showcase for Cho’s “trademark jungle women art” and his love for drawing prehistoric creatures.
Jungle Queen


A creator-owned character who made her official debut in Drawing Beautiful Women, the Jungle Queen is often depicted in primal, scantily-clad action scenes involving battles with dinosaurs.
The Many Worlds of Tesla Strong


Cavewoman



Drawing Beautiful Women
This book remains his definitive statement on the female form, even including humorous chapter titles like “Boobs” and “Butts” alongside serious anatomical studies.





Apes and Babes – The Art of Frank Cho





Skybourne



Sexy sketches from Frank Cho’s Instagram

























































