Cynthia Rothrock nude photoshoots and sexy scenes in movies

Cynthia Rothrock is a pioneering American martial artist and actress renowned for her dominance in action films. Her career spans competitions, Hong Kong blockbusters, and over 60 movies, earning her the title “Queen of Martial Arts.”

China O' Brien (1990) — China O’ Brien (1990)

Rothrock won world championships in forms and weapons five times from 1981 to 1985, remaining undefeated in over 100 competitions. She was the first woman to place first in North American weapons against men and holds black belts in seven styles, including an 8th dan in Tang Soo Do. Her feats include 32 first-place forms wins and competing in men’s divisions, cementing her as a trailblazer for women in martial arts

Contents

1 Cynthia Rothrock’s most notable films
2 Cynthia Rothrock’s most iconic sensual scenes and photoshoots
3 Cynthia Rothrock’s most iconic sensual photoshoots
4 Tickling scenes with Cynthia Rothrock
5 Informazioni sull'autore
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Cynthia Rothrock’s most notable films

Rothrock debuted in Hong Kong’s Yes, Madam! (1985) with Michelle Yeoh, breaking box office records and leading to seven films there. She transitioned to U.S. hits like China O’Brien (1990), China O’Brien II (1990), and No Retreat, No Surrender 2 (1987). Other notables include Martial Law (1991), Tiger Claws (1991), Rage and Honor (1992), and later works like Mercenaries (2014) and Black Creek (2024).

Film	Year	Character	Role Description
Yes, Madam!	1985	Inspector Ng	A steely policewoman partnering with Michelle Yeoh’s spy; unleashes whirlwind kicks against triads in rain-slicked streets, shattering Hong Kong box office norms for female-led action.
Righting Wrongs	1986	Sally Sung	A relentless martial artist seeking justice after her lover’s death; her fluid, bone-crunching forms dominate shadowy alleys and high-stakes duels.
No Retreat, No Surrender 2	1987	Emmy	A tough American fighter training a novice against a rogue ninja army; her high-flying spins and grapples turn jungle skirmishes into pulse-pounding spectacles.
China O’Brien	1990	China O’Brien	A small-town sheriff avenging her father’s murder; patrols dusty Wyoming with lightning-fast leg sweeps, embodying rural grit and urban fury.
China O’Brien II	1990	China O’Brien	Returning as the iron-willed law enforcer, she battles a drug cartel; her acrobatic spins through warehouses amplify the sequel’s explosive showdowns.
Martial Law	1991	Eileen Griffin	An undercover DEA agent infiltrating biker gangs; her leather-clad intensity fuels barroom brawls and midnight chases.
Tiger Claws	1991	Linda Masterson	A determined cop hunting a masked killer; stalks foggy nights with precise strikes, blending detective savvy and raw power.
Rage and Honor	1992	Tracey Kerrigan	A narcotics officer partnering with a drug lord’s daughter; her vengeful rampage through LA underworld pulses with emotional depth and savage precision.
Sworn to Justice	1996	Linda Baker	A grieving stuntwoman turned vigilante; her thong-clad fury in personal moments contrasts bone-shattering revenge against corrupt foes.
Mercenaries	2014	Jasmine Reaper	A battle-hardened mercenary leading an all-female squad; storms war zones with veteran poise and unrelenting takedowns.

Cynthia Rothrock’s most iconic sensual scenes and photoshoots

Rothrock’s films occasionally feature intimate moments amid action.

In Sworn to Justice (1996), she appears in lingerie, thongs, see-through bras revealing nipples, brief breast exposure during a kiss, and sex scenes while embracing a partner.

Fatal Passion (1995) shows her in white lingerie and thong, walking from bed.

Cynthia Rothrock’s most iconic sensual photoshoots

Rothrock has posed for several magazines, most notably Femme Fatales vol. 4 (Summer 1995).

Cynthia Rothrock - Celebrity Sleuth 37 — Celebrity Sleuth #37

The issue included an interview and provocative photos of Rothrock, presenting her as a premier femme fatale action star with a more “saucy” and vulnerable image. It was the first time she had posed like that, semi-nude, to change the public’s perception of her as just a “tough fighting girl.”

Rothrock said: “Doing the Femme Fatales shoot was an opportunity to change my image a little. I think people always think of me as the tough, fighting girl. I did this FF spread because I thought it was time for a change. It’s the first time I took pictures like that.“ She added that the photographer told her to do what she felt comfortable with, and over time she relaxed more. In the context of the interview, she expressed a desire to show that she could be ”soft and sexy, beautiful and hot,“ tired of the ”mom” or just action type.