Valerie Perrine is an acclaimed American actress known for her breakout roles in the 1970s, blending vulnerability, sensuality, and bold performances that earned her an Oscar nomination. Her career as a former Las Vegas showgirl left a lasting mark on cinema through daring nudity and memorable supporting turns in major films.
Leggi tutto: Tribute to Valerie Perrine | Most iconic sensual roles and tickling scenesBorn on September 3, 1943, in Galveston, Texas, Perrine grew up moving due to her father’s military career and her mother’s background as a dancer. She started as a showgirl in Las Vegas shows like “Lido de Paris” before transitioning to acting, debuting with a nude role that launched her Hollywood career. Now retired and living with Parkinson’s disease diagnosed in 2015, she remains celebrated for pushing boundaries in film.
Perrine’s role as Honey Bruce in Lenny (1974) brought her an Academy Award nomination, a Cannes Best Actress win, and a BAFTA for Most Promising Newcomer, showcasing her depth beyond physical appeal. She gained iconic status as Eve Teschmacher in Superman (1978) and its sequel, nominated for a Saturn Award, and appeared in hits like The Electric Horseman (1979) with Robert Redford.
Her early risks, including the first intentional nude scene on U.S. network TV in Steambath (1973), established her as a trailblazer for sensual, empowered female characters.
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Valerie Perrine’s most iconic sexy scenes
Perrine influenced 1970s cinema by normalizing nudity in mainstream storytelling, as in her Slaughterhouse-Five (1972) role, which challenged norms in anti-war satire. Her performances combined raw sensuality with emotional nuance, paving the way for actresses embracing bold sexuality without stereotype. Critics praised her for elevating “bombshell” roles into complex portraits, cementing her legacy in films blending eroticism and artistry.
Slaughterhouse-Five (1972)
In Slaughterhouse-Five, Perrine plays Montana Wildhack, a voluptuous porn star kidnapped in a sci-fi twist on Kurt Vonnegut’s novel. Her full nudity, including breast and butt exposure as she enters a pool, radiates confident allure amid the film’s surreal chaos. The scene’s sensual glow and unapologetic display make it a pioneering moment of erotic vulnerability.
Steambath (1973)
Perrine portrays Meredith in this PBS TV film, dropping her towel in a steamy all-male bathhouse to bare breasts and buns. The rosy, sweat-slicked reveal invades the male space with playful boldness, her curves shining under sauna lights. This marked the first intentional nude TV broadcast in America, blending humor and raw sensuality.
Lenny (1974)
As Honey Bruce, Lenny’s stripper wife, Perrine delivers topless scenes in Bob Fosse’s biopic, her nipples and form highlighted in intimate, black-and-white intimacy. Her performance mixes erotic dance with tragic depth, making the sensuality feel authentic and heartbreaking. It elevated her to stardom, proving nudity could underscore emotional power.
The Magician of Lublin (1979)
Perrine plays Zeftel, one of the mistresses of the protagonist Yasha, a magician in 1900s Poland based on Isaac Bashevis Singer’s novel. In an intimate bedroom moment, she lies in bed as her nipples are briefly uncovered before being covered again.
Can’t Stop the Music (1980)
Perrine plays Samantha “Sam” Simpson in the Village People disco comedy, briefly flashing breasts from a hot tub. The bubbly, playful peek amid party vibes showcases her joyful curves and redhead charm. Though campy, it adds sizzling fun to her diverse skin resume.
The Cannonball Run (1981)
Perrine appears in The Cannonball Run (1981) as a “Female Cop Pulling Over Lamborghini Babes.” She plays a sassy police officer who stops the Lamborghini driven by Adrienne Barbeau and Tara Buckman’s characters.
Her uniform features a deep, visible cleavage that draws attention, highlighted in a comedic exchange where she quips about checking for a license “down there.” The scene emphasizes her voluptuous figure and confident charm amid the film’s chaotic race antics, blending humor with playful sensuality
The Border (1982)
In The Border, she flashes a thong as Marcy, wife to a corrupt cop opposite Jack Nicholson. The quick rear view teases her figure in a tense thriller context. It highlights her enduring appeal in revealing attire, blending sexiness with dramatic grit.
Nude appearances in magazines
She featured in a full nude pictorial layout in the May 1972 issue of Playboy, showcasing her figure just before her film breakthrough, which highlighted her 35-25-36 measurements and natural allure.
She later appeared on the Playboy cover in August 1981, though the interior wasn’t a full nude spread.
Perrine also graced covers and features in magazines like High Society (e.g., March 1981 with a nude “Secretary” theme) and others such as Pub (February 1982) and Celebrity Sleuth (1994 pictorial).
Tickling scenes with Valerie Perrine
In “Can’t stop the music”, Sam (Perrine) tickles a man’s foot after he says to be ticklish.
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