Ana de Armas is a Cuban-Spanish actress born in Havana in 1988, now considered one of the most talented and versatile performers of her generation.
After studying acting at Havana’s National Theater School, she made her debut at a very young age in the Cuban film “Una rosa de Francia” (2006), where she played a girl involved in a love and adventure story set in the 1950s. This first role allowed her to get noticed, and at just eighteen, she moved to Spain to further her career.
In Spain, she gained popularity thanks to the successful TV series “El Internado” (2007-2010), in which she played Carolina, one of the main characters. The series, set in a mysterious boarding school, was a big hit among young audiences and cemented her fame in Spanish television. Afterwards, Ana de Armas took part in other Spanish film and television projects, but her real goal was Hollywood.
After moving to Los Angeles in 2014, she faced the challenge of learning English, mastering it quickly in order to land international roles. Her Hollywood debut came with “Knock Knock” (2015), a psychological thriller directed by Eli Roth in which she starred alongside Keanu Reeves. In the film, she plays a young woman who, together with an accomplice, disrupts the life of a quiet family man, creating a spiral of tension and seduction.
The following year, she appeared in “War Dogs” (2016), a dark comedy about arms trafficking with Jonah Hill and Miles Teller, where she played the protagonist’s girlfriend, already showing remarkable screen presence.
Her real breakthrough came with “Blade Runner 2049” (2017), the sequel to Ridley Scott’s iconic film, directed by Denis Villeneuve. Here, Ana de Armas played Joi, a holographic artificial intelligence who accompanies the protagonist, Ryan Gosling. Her performance, both intense and delicate, impressed critics and audiences alike, confirming her as one of the new promises of international cinema.
In 2019, she achieved stardom with “Knives Out,” a modern whodunit directed by Rian Johnson and featuring stars like Daniel Craig, Chris Evans, and Jamie Lee Curtis. Ana de Armas played Marta Cabrera, the nurse of the family patriarch, who becomes entangled in a complex murder case.
Her empathetic and nuanced performance earned her a Golden Globe nomination and definitively launched her career on a global scale.
In the following years, Ana de Armas continued to choose impactful roles. In “No Time to Die” (2021), the latest James Bond film starring Daniel Craig, she played Paloma, a Cuban agent who stood out for her charisma and skill in action scenes, winning over both audiences and critics despite her limited screen time.
In 2022, she starred in “Deep Water,” a psychological thriller alongside Ben Affleck, playing a woman involved in a complex and dangerous marriage.
The role that brought her the most prestige was that of Marilyn Monroe in “Blonde” (2022), a biographical film directed by Andrew Dominik and based on the novel by Joyce Carol Oates. Her intense and vulnerable portrayal of Norma Jeane/Marilyn Monroe earned her an Oscar nomination for Best Actress—the first ever for a Cuban actress—along with nominations for the BAFTA, Golden Globe, and Screen Actors Guild Awards. In “The Gray Man” (2022), an action-thriller by the Russo brothers with Ryan Gosling and Chris Evans, she played Dani Miranda, a CIA agent involved in an international manhunt.
Ana de Armas became famous thanks to her ability to take on very different roles, moving naturally from drama to thriller, action to comedy, and thanks to a magnetic screen presence that allowed her to establish herself both in Europe and in Hollywood.
Her career continues to rise, with increasingly ambitious projects confirming her as one of the most sought-after and acclaimed actresses on the international film scene.
Top Ana de Armas’ sexy scenes
Ana de Armas is known for several memorable and sexy scenes throughout her career, often blending sensuality with strong character presence. One of her early notable sexy scenes is from the Spanish film Sex, Party & Lies (2009), where she passionately makes out with a partner in a bathroom stall, revealing her breasts and engaging in an intense, intimate encounter that showcases her comfort with vulnerability on screen.
In the psychological thriller Knock Knock (2015), she stars alongside Lorenza Izzo in provocative scenes where they tease and seduce a man, including moments where they flash their breasts and use playful, erotic props, blending tension and seduction in a way that is both bold and captivating.
Her role in Hands of Stone (2016) features a stylized and sensual sex scene involving a threesome, where the imagery becomes almost dreamlike, highlighting her ability to portray complex sexuality with nuance.
In the biographical drama Blonde (2022), where she embodies Marilyn Monroe, Ana de Armas delivers some of her most daring and intimate scenes, including nudity and explicit moments that reflect the vulnerability and complexity of the iconic star’s private life, contributing to the film’s intense emotional impact.
In Deep Water (2022), a psychological thriller, she has several erotic scenes that are central to the film’s tension, including moments of nudity and passionate encounters that underline the dangerous and seductive dynamics of her character’s marriage.
Additionally, in her very first film Una rosa de Francia (2006), Ana de Armas appears nude in a scene where her wet nightgown clings to her body, marking an early example of her willingness to embrace sensual roles.
Anima (2011)
Blade Runner 2049 (2017)
Wasp Network (2019)
Sergio (2020)
The Night Clerk (2020)
Overall, Ana de Armas’s sexy scenes are often praised not only for their physicality but for how they serve the story and character development, combining allure with emotional depth and complexity.
Top Ana de Armas’ feet scenes in movies
Ana de Armas has several notable scenes in her films where her feet are prominently visible, particularly in the 2022 psychological thriller Deep Water. In this movie, there are multiple moments where her feet, often shown barefoot or in nylon stockings, are clearly featured, contributing to the film’s intimate and tense atmosphere.
Anima (2011)
For a Handful of Kisses (2014)
A Thailand photoshoot:
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