Tickling scenes featuring Robin Williams

Robin Williams was an American actor and comedian, celebrated for his extraordinary improvisational skills and the emotional depth he brought to both comedic and dramatic roles. Born in Chicago in 1951, Williams began his career as a stand-up comedian in San Francisco, where his energetic and improvisational style quickly gained attention. His big break came with the television sitcom *Mork & Mindy* (1978–1982), in which he played the alien Mork, a role that made him a household name and showcased his unique comedic talents.

Williams transitioned to film in the early 1980s, starting with his first leading role in *Popeye* (1980). Throughout the 1980s and 1990s, he established himself as one of Hollywood’s most versatile actors, starring in a string of critically acclaimed and commercially successful films. Some of his most iconic performances include the irreverent radio DJ in *Good Morning, Vietnam* (1987), the inspiring English teacher in *Dead Poets Society* (1989), and the homeless man Parry in *The Fisher King* (1991), all of which earned him Academy Award nominations.

Williams was also beloved for his family-friendly roles, such as the voice of the Genie in Disney’s Aladdin (1992), the cross-dressing father in *Mrs. Doubtfire* (1993), and the adventurous Alan Parrish in *Jumanji* (1995). His ability to blend humor with heartfelt emotion was further demonstrated in *Good Will Hunting* (1997), where his portrayal of therapist Sean Maguire won him the Academy Award for Best Supporting Actor after three previous nominations.

Throughout his career, Williams was recognized with numerous accolades, including an Academy Award, six Golden Globes, five Grammys, and two Emmys[5]. He continued to take on diverse roles, from dark thrillers like *One Hour Photo* (2002) and Insomnia (2002) to comedies and animated films, maintaining his reputation as one of the most dynamic performers of his generation.

Despite his professional success, Williams struggled with addiction and mental health issues throughout his life. He died in August 2014 at the age of 63, and was later found to have been suffering from Lewy body dementia, which contributed to his declining health. Robin Williams remains remembered as one of the greatest comedians and actors, whose work touched audiences across generations with laughter, empathy, and inspiration.

Tickling scenes featuring Robin Williams

The Adventures of Baron Munchausen (1988)

In The Adventures of Baron Munchausen (1988), Robin Williams appears in a memorable cameo as the King of the Moon, though he is credited as “Ray D. Tutto” due to contractual reasons. Williams’ performance is a highlight of the film, marked by his trademark improvisational energy and over-the-top comedic style. The King of the Moon is an eccentric, otherworldly monarch with a split personality—his head, which claims to be the “King of Everything,” is physically detached from his body and is preoccupied with lofty, intellectual pursuits, while his body is driven by base desires and impulses.

When Baron Munchausen and his companion Sally encounter the King on the Moon, Williams delivers a frenetic, fragmented performance, rapidly shifting between philosophical musings and absurd, manic outbursts. His head and body comically bicker and behave independently, with the body often acting out while the head is distracted. The sequence is surreal and chaotic, showcasing Williams’ ability to move seamlessly between wit, physical comedy, and the bizarre, making his brief appearance one of the film’s most memorable and inventive moments.

In The Adventures of Baron Munchausen, there is a humorous and surreal scene involving Robin Williams as the King of the Moon tickling his wife’s feet. The Queen’s head is separated from her body, and while her head is with Baron Munchausen and his party, her body remains in bed with the King. Sally, one of the characters, hears the Queen making funny noises and asks why. The Baron delicately explains that the King is tickling her feet, which is a euphemistic and playful way to imply an intimate moment between them.

Next, the king is shown in the very act of tickling his consort’s feet with a feather. Since he does not hear the queen laughing, he asks her if she is one of those people who bites the pillow, and he takes to tickling her with his fingers more vigorously. The shot shows the queen’s head, separated from her body, in great agitation because of the tickling she is feeling.

MF Tickle in The Adventures of Baron Munchausen

Mork & Mindy (1978–1982)

Robin Williams played the character Mork, an extraterrestrial from the planet Ork, in the television sitcom Mork & Mindy (1978–1982). The show was a spin-off from Happy Days, where Mork first appeared in a popular episode. Mork arrives on Earth, specifically Boulder, Colorado, to study human behavior and culture, which he finds strange and often confusing. His interactions with Mindy McConnell, a young woman who becomes his friend and roommate, form the heart of the series.

Williams’ portrayal of Mork was marked by his extraordinary improvisational talent, bringing a quirky, energetic, and often unpredictable quality to the character. Mork’s unique customs, such as drinking with his finger, sitting on his head, and his Orkan concept of practical jokes called “splinking,” created comedic situations that highlighted the absurdities of human behavior. Each episode typically ended with Mork reporting back to his superior, Orson, humorously summarizing what he had learned about Earth.

The character’s catchphrases like “Na-Nu Na-Nu” and “Shazbat” became widely popular. The show allowed Williams to improvise extensively, which contributed to its distinct and lively tone. Mork & Mindy was Williams’ first major acting role and helped launch his career as a beloved comedic actor.

In Season 2, episode 12, Mork confronts the Necrotons. In one scene he is involved in a hug between them and, touched by their arms, laughs in reaction to being tickled.

In Season 2, episode 19, Mindy notices that Mork is depressed and suggests a way to cheer him up. She has him raise his arms and starts tickling him with her fingers on his belly. After a few seconds he stops since Mork does not laugh (compared to the previous scene, here he seems to indicate that Mork is not ticklish).