Vanessa Kirby is a British actress born on April 18, 1988, in London. She grew up in Wimbledon and attended Lady Eleanor Holles School before studying English at the University of Exeter. Kirby is the daughter of Jane Cooper Kirby, a former magazine writer, and Roger Kirby, a surgeon. Her early passion for the arts led her to start her professional journey in theater, where she quickly earned recognition for her talent and dramatic depth.
Kirby’s career began on the stage, where she earned critical praise for performances in plays such as “All My Sons,” “A Midsummer Night’s Dream,” “Women Beware Women,” and “A Streetcar Named Desire.” She transitioned to television with roles in productions like “The Hour,” “Great Expectations,” and “The Frankenstein Chronicles.”
Her international breakthrough came with her portrayal of Princess Margaret in the first two seasons of the Netflix series “The Crown,” a performance lauded by critics and awarded with a BAFTA for Best Supporting Actress. Kirby continued to make her mark in cinema with roles in “About Time,” “Everest,” “Genius,” and in action franchises such as “Mission: Impossible – Fallout” and “Hobbs & Shaw.”
One of her most acclaimed film performances was in “Pieces of a Woman” (2020), in which she played a grieving mother, earning her the Volpi Cup for Best Actress at the Venice Film Festival and a nomination for the Academy Award for Best Actress. She also starred as Empress Joséphine in Ridley Scott’s “Napoleon” (2023).
Vanessa Kirby’s nude and sexy screen appearances
Vanessa Kirby has appeared in several productions with nude or intimate scenes. In “The World to Come,” she is seen topless in multiple intimate sequences alongside Katherine Waterston.
In “Queen & Country” there is a scene where Kirby, removing her robe, is seen running toward a lake, revealing nudity from behind.
“Pieces of a Woman” features a scene in which she is partially nude in a bathtub, showing some side of her chest. In “Jupiter Ascending,” Kirby appears in underwear, but there is no full nudity. In Ridley Scott’s “Napoleon,” specifically in the director’s cut, Kirby has several explicit, sensual scenes, including sequences of simulated sex and brief toplessness.
These appearances are limited to select roles and are presented within the artistic context of the films. Kirby’s choices in these performances have been discussed as part of her commitment to authentic and challenging roles.
Vanessa Kirby’s tickling scenes
In “The World to Come”, Katherine Waterston is massaging Vanessa Kirby’s foot by the fireplace and, as Katherine Waterston drags her thumb down Kirby’s sole, she exclaims “Ah, it tickles” and pulls her foot away.
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